This Floating Poo Was Far Too Symbolic! These Are the TV Disappointments of the Year.
Looking back, we reflect on the television landscape of the past year, a handful of shows emerge not for their brilliance, but for their notable shortcomings. From awkward sequels to bafflingly bad documentaries, here are the programmes that left us utterly bewildered or simply reaching for the remote.
The 'Sex and the City' Sequel
Where to begin with this love/hate follow-up? Burdened with woeful writing, painful arcs (justice for Miranda!), and a paltry 71 seconds of beloved Samantha, the series fought to justify its existence. Briefly, as the third series began, it looked like it had finally hit its stride. Then arrived an episode all about Seema’s natural deodorant. Little surprise the creator announced this would be the last season. It concluded on a bum note; the closeup of Miranda’s loo full of poo was simply too symbolic. Yet, fans undeniably found joy picking apart every single “wtf?” moment. And as Carrie – a single woman once more – danced around her palatial townhouse to Barry White, who couldn't release a small sob?
All’s Fair
‘Is Kim Kardashian an actress? Of course she can’t.’
But that was almost the least of this show's problems. The subject of a very rare zero star review, it was hard to know where to begin listing the problems. The laughably wooden writing? The tedious glorification of wealth and consumption? The almost wilful parade of cliches? Performances so bad they felt borderline malicious? Suffice it to say “all of the above” and forget about this show again. However, a new season has been commissioned, so we’re probably going to have to.
AKA Charlie Sheen
Considering the legal troubles, abuse allegations and fatherly shortcomings, it’s reasonable to say Charlie Sheen has been a troubled figure. Not you’d truly have known it from this multi-part docuseries which smirked its way at Sheen’s various bouts of reckless hedonism while struggling to tell us a single thing we weren't already aware of. Rather, it felt as if this volatile personality was being pandered to, so any sympathy this show might evoke should be reserved for the people who have had to endure proximity with this charming but flippant narcissist.
The Iris Affair
Of course we knew it was preposterous from the outset: a drama about a supercomputer known as Charlie Big Potatoes that could either save the world – or destroy all of humanity. We stuck with it out of pure love for its leads … but by the end, it felt like even they had given up trying. One barely cared when his character died, and the other ultimately hacking Charlie with an axe … in super slow-motion. Talk about giving up the ghost.
MobLand
Shady characters meeting in empty boxing gyms? The Prodigy’s Firestarter blaring in club scenes? The late 90s called and wants its crime drama back.
Actually, that is harsh on the crime shows of the late 90s. Many look a bit dated now, but at least they didn’t suffer the ignominy of having to accommodate baffling dialects. But there were many other issues. Mainly that it was just really boring; a dispute over drug-selling territory between various London picaresques which felt a bit basic.
With Love, Meghan
Considering the extent to which she provokes the ire of the nation’s ostentatiously enraged commentators, it’s almost tempting to admire the Duchess of Sussex’s televised ventures into quaint lifestyle as intentional provocations. But then you view them and are compelled to concede that actually, they may have a point. It’s like watching a homeware catalogue come to life; a meme for wine o’clock with delusions of grandeur; a procession of snoozing dogs, buzzing beehives, Hallmark platitudes and forgettable crafting “tips” you’ll forget instantly. All underpinned by vast, largely unearned wealth. Ugh.
Victoria Beckham
There are obviously fascinating things to be discussed about both Victoria Beckham and her journey with vocation, identity, self-acceptance. But for some reason, this three-part series opted not to explore them. Instead, the experience was akin to consuming a sales catalogue. She obviously has every right to resent what she describes as her “miserable cow” image. But sadly, she failed to do herself any favours with this guarded non-event of a series.
The Game Show
It should have been the next cultural phenomenon – except even more extravagant, with a famous star playing dead and a sharp-tongued personality overseeing her estate. What more could you ask for? As players competed, there was plenty of betrayal and squabbling. But the rules quickly became bewildering: it’s still too complicated to explain what precisely was happening. Even more disappointingly, we only saw brief appearances of the star via filmed videos. The series ended up smelling of a production that was trying way too hard to live up to something way beyond it.
The Lena Dunham Romcom
How does one follow a show that captured a generation? The pressure was immense for this starry romcom about Jessica, a hopeful New Yorker who lands in London with a broken heart. The star took her biggest role by the horns and was a delight to watch, embodying Austen levels of romantic ideals. But it was all very glossy and, paradoxically, was not enough. Plus, the abundance of celebrity friends involved felt icky.
The Sketch Show Return
Not even good enough to be ‘uneven’.
Given the shrewd inclusion of gifted younger comics, hopes were high. But sadly, most of it fell flat. A particular sketch was a one-note joke milked to a husk but recurring in every episode. One star seemed too willing to slip into a well-known ranting mode. The writing room sketches, in contrast, simply provoked the thought that they should probably have stayed in there a bit longer.
The Knox Dramatisation
This retelling of the story of Amanda Knox was overseen by Amanda Knox and pretty much exclusively showcased the viewpoint of Amanda Knox. So, while there undoubtedly is an interesting drama to be made about the horrific 2007 murder, this isn’t it. The material needed to be handled sensitively. Rather, the series laboured awkwardly to find the right tone, lumbering from oddly jaunty, somewhat mannered farce to ultimately, real-life horror. Complex? Perhaps. A complete mess? Absolutely.
Prime Target
We admire the star … but did we believe him playing the most brilliant maths genius since, a man so intelligent he’s on the verge of a discovery that could ruin society? No! This international thriller about secret services targeting – and killing off – academics honestly got more farcical by the second. Formulaic nonsense.
The Bonnie Blue Documentary
This hagiography followed the online personality renowned for explicit exploits as she prepared for her most extreme challenge yet. What on earth would motivate her? What we wanted was far greater interrogation of her true psychology, plus those of the men in the line. They could at least have spoken to the now-famous mum who appeared to haul her son away from the queue. What we got was disturbing imagery and absolutely no interrogation of her notoriety whatsoever. And to think, the filmmaker has a teenage daughter too.